Max Vanderwolf’s sophomore album, “The Great Bewilderment,” serves as a testament to his artistic evolution and musical versatility. Following his critically acclaimed debut, “12 Little Killers,” Vanderwolf returns with a major rock record brimming with emotional depth and adventure. Recorded during the pandemic, this album reflects Vanderwolf’s introspective journey, marked by relocations and a quest for self-understanding amid global upheaval.

Drawing on his extensive experience as a music programmer and concert producer, Vanderwolf enlisted a talented ensemble to bring his vision to life. Collaborators include drummer Angie Scarpa and bassist H Chris Roy, recommended by none other than John Cale’s guitarist, Dusty Meadows. The album’s sound is further enriched by Tim Sonnefeld’s diverse guitar contributions, with Adrian Utley of Portishead shining on the album’s centrepiece, “Gaza.”

“The Great Bewilderment” commences with the evocative track “A’Coming Home.” Vibrant organ tones and pulsating drums establish the backdrop for Vanderwolf’s vocal delivery, wasting absolutely no time in showcasing the power and theatricality of his vocal range. The song transitioning seamlessly between piano-driven introspection and explosive choruses perfectly sets the tone for the record. As far as opening tracks go, this one will have you putting the album on repeat before you know it.

Thematically, “The Great Bewilderment” delves into the complexities of contemporary society, exploring themes of political disillusionment, existential uncertainty, and the quest for meaning amidst chaos. Vanderwolf’s introspective lyricism offers poignant insights into the human condition, echoing the bewilderment felt in the face of global crises and political turmoil.

The opening track is followed by “The 6.09,” starting out with intricate chimes and delicate acoustic guitar and gradually building into a classic rock sound with assertive drumming and expressive vocals. It’s hard to ignore Vanderwolf’s emotive performance on this track and his vocals soar above the melody. We’re only a couple of tracks in and it’s evident to hear the album’s soundscapes range from ethereal ballads to anthemic rock compositions. It makes for a striking listen. Lead single “Sweep Away the Shards” unveils a tender aspect of Vanderwolf’s song writing , presenting a dreamy and introspective sound. With its relaxed tempo, intricate guitar arrangements, and heartfelt vocals, the song delves into themes of loss with poignant sincerity.

The standout moment on the album belongs to “Gaza,” there is a somber ambiance about the song with haunting guitar progressions and impassioned vocals that crescendo into an explosive climax. This is compelling, thought-provoking work that resonates with listeners on both a visceral and intellectual level. Originally penned years ago, the track is complemented by a touching guitar solo from guest musician Adrian Utley of Portishead.

In addition to its musical prowess, “The Great Bewilderment” is accompanied by visually stunning animated videos (which can be enjoyed here and here), created by acclaimed director Alden Volney. These visual interpretations add an extra dimension to Vanderwolf’s storytelling, enhancing the album’s experience. There is a clear concept and through line for this album and it’s expressed musically, visually and artistically. We’re excited to see how this transfers to the live music scene.

Vanderwolf’s latest offering, ‘The Great Bewilderment’, is an expansive and enthralling listen. Embracing his evolving psych-rock sound, this eight-track collection demonstrates Vanderwolf’s most progressive and captivating song writing to date. Building upon the foundation of his debut album, ‘The Great Bewilderment’ solidifies his place as a compelling and confident presence within the music industry. With a renewed focus on his distinctive sound, Vanderwolf continues to assert himself as a standout artist in the contemporary music scene.

You can pre order the vinyl here.

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